论元宫词的新变  

On the New Developments in Palace Poetry of the Yuan Dynasty

作　　者：张建伟[1] 王文[1] ZHANG Jianwei;WANG Wen(School of Chinese Language and Literature,Shanxi University,Taiyuan 030006,China)

机构地区：[1]山西大学文学院,山西太原030006

出　　处：《内蒙古民族大学学报（哲学社会科学版）》2024年第5期1-8,F0002,F0003,共10页Journal of Inner Mongolia Minzu University：Philosophy and Social Sciences Edition

基　　金：国家社会科学基金项目“元代雅俗文学关系与文体互参研究”(项目编号:23BZW065)的阶段性成果。

摘　　要：元代宫词的新变表现在四个方面:一是内容与作者方面,写作内容由后宫嫔妃宫人的生活逐渐转移到宫殿文武百官的政治活动,具有承前启后的作用,作者为多民族构成。二是民族特色,表现在名词事物、宗教信仰两个方面。三是创作主张,题材扩大,语言典雅,风格上要求清和雅正。四是形式上的创新,表现为宫词中出现详细自注、以宫词唱和、语言多样和形式多样等特征。The new developments in Yuan Dynasty palace poetry can be observed in four key aspects.First,regarding con-tent and authorship,the focus of palace poetry shifted from the lives of palace concubines to the political activities of civil and military officials,serving as a bridge between past traditions and future innovations.The authorship was diverse,with contribu-tions from multiple ethnicities.Second,ethnic characteristics are evident in the use of specific terms,cultural artifacts,and ex-pressions of religious belief.Third,the subject matter of palace poetry expanded,while the language remained elegant,with an emphasis on achieving clarity,harmony,refinement,and propriety in style.Fourth,formal innovations included the use of de-tailed self-annotations,poetic exchanges,and a diversity of language and poetic forms.

关 键 词：宫词 元代文学 民族文学 

分 类 号：I206.47[文学—中国文学]