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作 者:邓元范 DENG Yuanfan(School of International Communication and Arts,Hainan University,Haikou 570288,China)
机构地区:[1]海南大学国际传播与艺术学院,海南海口570288
出 处:《美育学刊》2024年第5期64-71,共8页Journal of Aesthetic Education
摘 要:人工智能已超越单纯辅助人类的水平,开始挑战被视为人类固有的创作领域。国外人工智能编舞异军突起,在此背景下,通过审美经验理论考察发现,当前人工智能编舞提供了全新感知识别体验及以观看者为中心的审美经验,据此确立了其艺术价值。Artificial intelligence has so far surpassed the level of simply assisting humans and begun to challenge the field of creation that is considered to be inherent to humans.Foreign AI choreographers have emerged as a new force in the field of choreography.In this context and through the investigation of aesthetic experience theory,it has been discovered that current AI choreography provides a new sense of recognition experience and a viewer-centered aesthetic experience,which establishes its artistic value.
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