两宋时期纸质媒介与绘画艺术发展的关联性探析  

On Relationship Between Development of Paper Media andPainting in Song Dynasty

作　　者：宋芳斌 SONG Fangbin(School of Design Art&Media,Nanjing University of Science and Technology,Nanjing 210094,China;China Academy of Art Development Evaluation and Research,Southeast University,Nanjing 211000,China)

机构地区：[1]南京理工大学设计艺术与传媒学院,江苏南京210094 [2]东南大学中国艺术发展评价研究院,江苏南京211100

出　　处：《美育学刊》2024年第5期72-77,共6页Journal of Aesthetic Education

基　　金：国家社会科学基金艺术学重大项目“艺术学评价体系的理论与实践创新研究”(21ZD11);江苏省社会科学基金后期资助项目“艺术传播视域下两宋时期绘画艺术研究”(22HQB52);中国博士后科学基金第73批面上资助项目(2023M731701)的阶段性成果。

摘　　要：两宋纸质媒介是社会文明全面演进的产物,既包括大量艺术类书籍撰写出版,又可见粉本摹本的广泛应用。宋代的书籍出版对艺术观念记录、发展与流传具有关键的作用。此时文人士大夫阶层凭借在文化领域的绝对话语权控制着书籍的编撰、品评与传播,以致私修书籍或官修书籍的画论、画谱均与文士的审美旨趣密切相关。而粉本作为传播媒介则是画家参考范本,更是绘画交流的工具。基于纸质媒介的二元逻辑区分视角考察其与两宋艺术观念和绘画技法传播的钩连,特别是文人士大夫阶层之于书籍出版、艺术观念的关键意义,可以此还原自由之风与文艺之风盛行的宋代历史语境。The evolution of printing media is closely related to social system and cultural concept.The development of painting books in the Song Dynasty was the product of the overall evolution of social civilization.At the same time,the publication of books in the Song Dynasty played a key role in the recording,development and spread of artistic ideas.At this time,the literati and officials controlled the compilation,evaluation and dissemination of books by virtue of their absolute discourse power in the cultural field,so that the painting theory,painting spectrum of private or official books and the aesthetic purpose of literati interest are closely related.Based on the unique significance of book publishing to art concepts,the specific path of book publishing to the spread of art concepts,and the key position of literati and officialdom in book publishing and art concepts,this paper aims to explain the symbiotic relationship between printing media and art concepts in the two Song Dynasty,so as to restore the historical context of the Song Dynasty in which the freedom trend as well as literature and art trend prevailed.

关 键 词：两宋绘画 书籍出版 艺术观念 

分 类 号：J209.244[艺术—美术]