伶人救国——南京戏曲界的抗日救国活动(1931—1937)  

The Resistance and National Salvation Activities of Nanjing Traditional Opera Industry between 1931 and 1937

作　　者：戴棠安 Dai Tang'an

机构地区：[1]南京大学历史学院

出　　处：《日本侵华南京大屠杀研究》2024年第3期94-102,143,共10页Journal of Japanese Invasion of China and Nanjing Massacre

摘　　要：1927年国民政府定都南京以后,南京戏曲业发展迅速。南京市政府十分重视对戏曲艺人的教育与训练。九一八事变爆发后,中日民族矛盾逐渐上升为社会主要矛盾,抗日救亡运动在全国兴起。南京戏曲界积极开展抗日活动,宣传抗日救国思想,通过义演为前线战士募捐,为国防部门添购军备筹款,以及为爱国团体和流亡难民募捐等。南京戏曲界的抗日救国活动呈现出社会影响力大、多方力量参与的特点,在为抗战做贡献的同时,也提高了自身的社会地位,反映出全民族为抗战共同奋斗,是区域抗战史的重要组成部分。Since Nanjing became the Capital of the Nationalist Government in 1927,the traditional Chinese opera industry in Nanjing had a rapid development.Nanjing Municipal Government also attached great importance to the education and training of the opera artists.After the September 18 th Incident,the national conflict between China and Japan was intensified,and there was a nationwide resistance against Japan and the emergence of national salvation activities.The Nanjing Traditional Opera Industry was actively engaged in the resistance against Japanese aggression by means of giving publicity to the ideas of resistance and national salvation,fundraising by charity performance for the soldiers at the front,for additional arms purchases for the defense department and for patriotic groups and refugees,etc.With a great social effect and the participation of many parties,the Nanjing Traditional Opera Industry's resistance and national salvation activities not only contributed a lot to the Chinese War of Resistance against Japanese Aggression,but also raised their social status.It reflected the joint efforts of the whole society and the nation for the war of resistance,and it was a crucial part of history for the regional resistance.

关 键 词：南京 戏曲界 抗日救国 

分 类 号：K264[历史地理—历史学] J892.3[历史地理—中国史]