后现代实验小说的现实主义纹理:斯帕克《驾驶座》中的现实主义  

The Realist Texture of Postmodern Experimental Fiction:Realism in Muriel Spark's The Driver's Seat

作　　者：沈依霖 

机构地区：[1]南京大学外国语学院

出　　处：《外国语文研究（辑刊）》2024年第2期40-51,共12页

摘　　要：身处不同社会历史环境中的人们对现实与真实有着不同的认知,现实主义作为一种试图真实地反映现实生活的表现形式,其创作方法会随着社会的演变而变化。本文试图以缪丽尔·斯帕克的《驾驶座》为例,探讨战后英国文学中后现代实验小说与现实主义的关系。本文认为斯帕克的小说包含现实主义思想,忠于外在客观现实,同时能够穿透异化的社会表象,把握深层真实。另外,斯帕克的作品显示出她对现实主义的虚构与现实的关系的思考,超越了传统现实主义中两者分隔的对应关系,指向现实与虚构相互交织的新可能。斯帕克的小说对理解英国语境中实验小说与现实主义的关系具有重要意义。People in different socio-historical environments have varied perceptions of reality and truth.Realism,as a form of expression that aims to give a truthful representation of life,has engendered various techniques in tandem with the changes of society.This paper attempts to use Muriel Spark’s The Driver’s Seat as an exemplar to explore the relationship between postmodern experimental fictions and realism in post-war British literature.It argues that Spark’s novels contain the idea of realism,being faithful to external objective reality.Meanwhile,they are able to penetrate the surface of society and grasp the deeper reality.In addition,Spark’s work indicates her thinking about the relationship between the ideas of“fiction”and“reality”.The Driver’s Seat goes beyond traditional realism and points to new relationships between“fiction”and“reality”,where they are intertwined instead of being separated.Spark’s novels are instructive for understanding the relationship between experimental fictions and realism in the British context.

关 键 词：缪丽尔·斯帕克 现实主义 后现代 实验小说 

分 类 号：I561.074[文学—其他各国文学]