记忆书写的双重载体--试论安妮·埃尔诺作品中的文字与图像  

The Dual Vehicle of Memory Writing-Text and Image in the Works of Annie Ernaux

作　　者：史烨婷 

机构地区：[1]浙江大学外国语学院

出　　处：《外国语文研究（辑刊）》2024年第2期146-155,共10页

摘　　要：法国作家、诺贝尔文学奖得主安妮·埃尔诺(Annie Ernaux)以融合了社会学和历史学的创作理念开辟了“无人称自传”(或社会自传),不倦书写着融合了个人记忆、集体记忆的现实生活,以求打破阶层、映证时代。在这一过程中,埃尔诺的记忆书写呈现出明显的跨媒介性。一方面以精准文字描绘图像(照片),将现实与记忆的物性诉诸笔端,依据福柯“物的秩序”原则,以语词将世界纳入话语的主权之中,再现表象。另一方面,埃尔诺作品中的文字与图像亦有差距,埃尔诺认为照片是痕迹,而文字必须“致幻”。她利用文字与图像在时间上的间离,构建特有的创作空间,以求捕捉人类心理世界的现实。图像反映现实,文字映照内心,在文字与图像的双重作用下实践了“镜与灯”的隐喻。安妮·埃尔诺结合了文字与图像的跨媒介手法,最大限度地捕捉真实,反映了时代洪流中个人之于社会留下的印记。Annie Ernaux,the French writer and Nobel Prize laureate in literature,introduced the concept of“Impersonal autobiography”(or social autobiography)by ingeniously integrating sociology and history.She dedicated herself to depicting real life,intertwining personal and collective memory to dismantle hierarchies and mirror the zeitgeist.Ernaux's autobiographical works exhibit transmediality.On one hand,she vividly portrays images(photographs)with precise language,capturing the tangible essence of reality and memory.Following Foucault's principle of“the order of things”,Ernaux subjects the world to the sovereignty of discourse and reproduces representations through words.On the other hand,a gap exists between the text and the image in Ernaux's works.For Ernaux,photographs serve as traces,while words must be“hallucinogenic”.Annie Ernaux leverages the temporal separation between words and images to craft a unique creative space that delves into the essence of the human psyche.The image mirrors reality,whereas the text conveys emotions.The metaphor of the mirror and the lamp is manifested through the dual function of text and image.By combining transmedia techniques,Annie Ernaux captures truths and reflects the individual's impact on society in the contemporary era.

关 键 词：安妮·埃尔诺 跨媒介 文字与图像 记忆 

分 类 号：I565.074[文学—其他各国文学]