历史记忆与个体责任:论陈以珏戏剧《南京的冬天》  

Historical Memories and Personal Responsibilities:A Thematic Study on Marjorie Chan's Drama A Nanking Winter

作　　者：沈芳菲 

机构地区：[1]南京大学外国语学院

出　　处：《外国语文研究（辑刊）》2024年第2期264-275,共12页

摘　　要：华裔加拿大作家陈以珏的两幕剧《南京的冬天》(2009)从集体记忆与个体记忆的联系、公共身份与私人身份的一体性,以及当下的遗忘对过去暴行的“重演”三方面探索了个体与国家民族的历史记忆之间的关系,表现出对暴行受害者发声困境及其斗争的高度关注。剧中人物之间爆发的一系列戏剧性冲突具有深刻的现实社会意义,反映了正义与非正义、无辜与有罪、受害者和施害者之间的矛盾。本剧在强调当下的个体对过去的历史真相和受害者苦难应负有关注、铭记与传递的责任的同时,也体现出文学作品所承载的社会意义:对历史真相的记忆与为受害者应得的公平正义抗争发声的信念跨越时空与代际的传承。Marjorie Chan's two-act play A Nanking Winter(2009)explores the relationship between the individual and the historical memories of the nation from the perspectives of the connections between collective and individual memories,the unity of public and private identities,and how oblivion in the present can act as a“replay”of atrocities in the past,showing great concern to the obstacles that confront the victims as they struggle to speak out.The dramatic conflicts between characters contain profound social significance and reflect the conflicts between justice and injustice,innocence and guilt,and the victim and the perpetrator.A Nanking Winter not only highlights the responsibilities of individuals in the present to pay attention to,memorize and transmit the historical truth and the victims'sufferings in the past,but also embodies the social significance of literary writing,namely the remembrance of historical truths and the passing on of the determination to struggle and speak out for the victims who deserve justice across time,space and generations.

关 键 词：陈以珏 《南京的冬天》 南京大屠杀 华裔加拿大文学 

分 类 号：I711.073[文学—其他各国文学]