论中上健次《十九岁的地图》动物化书写的现实主义内涵  

The Realistic Connotations of Animalized Writing in Kenji Nakagami's“The Nineteen-Year-Old's Map”

作　　者：宁宇 王奕红[1] 

机构地区：[1]南京大学外国语学院

出　　处：《外国语文研究（辑刊）》2024年第2期304-314,共11页

基　　金：国家社会科学基金项目“中上健次小说创作研究”(13BWW022);国家社会科学基金重大项目“外国文学原理研究”(22&ZD284)的阶段性成果;国家留学基金资助

摘　　要：中上健次(1946—1992)是日本首位出生于“二战”之后的芥川奖获奖作家,其初期作品积极向大江健三郎的文学创作发起对话,并以此为方法把握战后日本社会的现实变迁。其中,短篇小说《十九岁的地图》(1973)以动物化的书写策略重新演绎了大江《奇妙的工作》《十七岁》的“监禁状态”、天皇制批判等主题,进而揭露繁荣的社会表象背后底层群体如动物般失语的生存困境,反映出1970年代初日本社会去历史化、去政治化乃至趋向动物化的时代走向,揭示出伴有歧视意义的动物话语在日本社会话语空间的运作机制,可谓充分展现了早期中上现实主义书写特色的代表性作品。Kenji Nakagami(1946—1992)was the first Japanese writer born after World War II to win the Akutagawa Prize.His early works actively engaged in a dialogue with the literary creations of Kenzaburo Oe,using this as a method to grasp the evolving reality in post-war Japanese society.In particular,his short story“The Nineteen-Year-Old's Map”(1973)employs an animalized writing strategy to reinterpret themes such as the“Confinement”and criticism of the Mikado system,echoing Oe's“An odd job”and“Seventeen”.Through this approach,Nakagami exposes the silenced existence of marginalized groups,akin to animals,concealed behind the facade of a prosperous society,reflecting the trend of Japanese society towards dehistoricization,depoliticization,and even animalization in the early 1970s.The story also dissected the mechanisms of discourse about animals with discriminatory undertones in the social discourse space,making“The Nineteen-Year-Old's Map”a representative work showcasing the distinctive features of Nakagami's early realistic writing.

关 键 词：中上健次 《十九岁的地图》 动物化书写 现实主义 大江健三郎 

分 类 号：I313.074[文学—其他各国文学]