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作 者:郜元宝[1] GAO Yuanbao
机构地区:[1]复旦大学中文系,上海200234
出 处:《学术月刊》2024年第9期144-152,共9页Academic Monthly
基 金:国家社会科学基金项目“野草系统研究”(22VRC134)的阶段性成果之一。
摘 要:鲁迅之所以将他唯一的散文诗集命名为《野草》,并赋予“野草”独特的文学蕴含,不仅受到源于现实的若干“今典”之感发,获得诸多“古典”之滋养,且有大量“内典”为互文性佐证,更与某些“外典”水乳交融。源于托尔斯泰小说、严译《天演论》以及与谢野晶子同名诗歌的“外典”尤为重要。系统探索“用典”如何影响《野草》之得名,既有助于体会鲁迅创作构思的苦心,更有助于把握像《野草》这样的中国现代文学经典在文本构造上的特点。Lu Xun entitles his only anthology of prose poems as Wild Grass,and endows"wild grass"'with unique literary implication,which not only sensed by some""contemporary allusions"from real life and acquires lots of"classic allusions"for nourishment,but also proved contextually by abundant"national allusions"and merged with some"foreign allusions".Among the latter,the"foreign allusions"from Tolstoy's novels,Evolution and Ethics as translated by Yan Fu,and the poem of the same title by a Japanese female poet.A systematic probing of how"the use of literary quotation"influenced the title of Wild Grass can either help the readers to understand Lu Xun's extraordinary efforts in projecting his creative writing,or help them to know the features of textual construction in modern Chinese literary canons such as Wild Grass.
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