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作 者:李晓[1,2] LI Xiao(Nanjing Normal University,Nanjing,Jiangsu,China,210097;Yancheng Kindergarten Teachers College,Yancheng,Jiangsu,China,224005)
机构地区:[1]南京师范大学,江苏南京210097 [2]盐城幼儿师范高等专科学校,江苏盐城224005
出 处:《广东开放大学学报》2024年第4期66-72,共7页JOURNAL OF GUANGDONG OPEN UNIVERSITY
基 金:2024年江苏省高职院校教师专业带头人高端研修项目资助(2024GRFX076)。
摘 要:尤侗是清代知名的戏曲作家和理论家,其戏曲观内容丰富,诸如剧曲是作为合乐之声歌文学的高峰且创作难度最高的“尊体论”,由诗、词发展而形成剧曲之言情、传情、达情传统和特征的“主情说”,戏曲创作乃作家“发愤”“抒怀”“自况”的“寄托说”,以及戏曲应体现其“风化、教化”为创作宗旨的“风化观”等,为戏曲理论的发展作出了重要贡献。You Dong,a distinguished opera writer and theorist of the Qing Dynasty,regarded opera melodies as the pinnacle of singing literature and the most challenging to create.He developed the"main emotion theory,"which highlights the emotional depth and unique characteristics of opera melodies,rooted in the traditions of poetry and lyrics.You Dong also believed that opera should embody a moral and humanizing purpose,contributing significantly to the creation of moral function.His insights have made substantial contributions to the study of opera theory,particularly in understanding the emotional and ethical dimensions of the art form.
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