《辛白林》:域属焦虑、联盟形塑与文化民族主义的早期想象  

Cymbeline:Territorial Anxiety,Creative Alliance,and the Early Imagination of Cultural Nationalism

作　　者：黄力平 Huang Liping

机构地区：[1]信阳师范大学外国语学院,河南信阳464000

出　　处：《河南大学学报（社会科学版）》2024年第5期66-71,154,共7页Journal of Henan University(Social Sciences）

基　　金：国家社会科学基金重大项目“莎士比亚戏剧本源系统整理与传承比较研究”(19ZDA294)阶段性成果。

摘　　要：莎士比亚《辛白林》“贞操赌局”的逃亡情节与其来源素材《十日谈》第二日第九个故事以及《简宁的弗雷德里克》之间有微妙的差异。两个来源素材中的女主角是从海上逃亡,而莎士比亚却选择了威尔士的荒野。莎士比亚精心设计的威尔士荒野和密尔福特港,不仅让整部剧情跌宕起伏,也戏剧化地呈现出英格兰人对联盟内部其他地理空间的域属焦虑与融合担忧。然而,尽管早期现代英国在政治构成上有明显分歧,莎士比亚在剧中仍然通过刻画荒野景观、重构传奇历史以及精挑登陆地点来形塑不列颠统一联盟。通过对来源素材的改编,莎士比亚隐含地传达出英国人逐渐形成的国家统一、民族发展的想象共同体。对《辛白林》剧的解读可以帮助我们看到晚年的莎士比亚在建构国家身份过程中的持久努力与深深忧虑。There are subtle differences between the escaping plot of“chastity gamble”in Shakespeare’s Cymbeline and Decamon(the ninth story of the second day)and Frederyke of Jennen.The heroines in both sources escape from the sea,while Shakespeare chooses the wilds of Wales.Shakespeare’s elaborate design of the Welsh wilderness and Milford Harbor not only makes the whole plot full of twists and turns,but also dramatizes the territorial anxiety and integrated worry within the alliance.However,despite the stark divisions in the political makeup of early modern Britain,Shakespeare creates British unity in his plays by depicting landscapes of wilderness,reconstructing histories of romance,and selecting locations of landing.Through the adaptation of the source material,Shakespeare implicitly conveys the concept of national unity and development gradually formed by the English people.The interpretation of Cymbeline can help us to see the lasting efforts and deep worries of Shakespeare in the process of constructing national identity in his later years.

关 键 词：《辛白林》 域属焦虑 联盟形塑 文化民族主义 想象的共同体 

分 类 号：I109.3[文学—世界文学]