以戏为媒:山东抗日根据地戏剧的宣传动员机制  

Drama as Media:the Propaganda and Mobilization Mechanism of Drama in Shandong Anti-Japanese Base

作　　者：刘国贞 Liu Guozhen

机构地区：[1]山东政法学院传媒学院,济南250014

出　　处：《新闻春秋》2024年第5期33-41,共9页Journalism Evolution

基　　金：山东省社科规划研究专项“媒介记忆视角下的沂蒙精神建构研究”(项目批准号:23CYMJ12);中共山东省委党校(山东行政学院)重大项目攻关创新的成果。

摘　　要：戏剧是山东抗战时期的重要宣传媒介,为充分发挥戏剧的社会动员效能,山东抗日根据地采取了三个方面的措施:第一,依托剧团形成类型多样、统一协作的戏剧机构组织化格局,充分调动与组织各方力量,显示出强大的号召力、战斗力与影响力。第二,进行戏剧形态的革命化改造,通过对旧艺人、旧戏的改造与戏剧新形式的利用,确保传播队伍思想的纯粹性、传播内容的政治性、传播形式的多样性,从而使戏剧实现抗战话语的重构。第三,推进戏剧演示的大众化表达,通过深入群众生活搜集戏剧素材、关注与群众切身利益密切相关的大事件与运用群众喜闻乐见的语言,最大限度地实现戏剧传播的在地化,引发群众的同情共感。During the anti-Japanese war in Shandong,drama served as a significant propaganda medium.In order to fully leverage the social mobilization capacity of drama,the Shandong anti-Japa-nese Base implemented three measures.First,relying on the troupe to form an organizational pattern of drama institutions with diverse types and unified cooperation.Showed a strong appeal,combat effec-tiveness and influence by fully mobilizing and organizing the forces of all parties.Second,carrying out the revolutionary transformation of the form of drama.The purity of the communication team's thought,the political content of communication,the diversity of communication forms were ensured through the transformation of old artists,old Chinese operas and the use of new forms of drama.Thus drama could realize the reconstruction of the anti-Japanese war discourse.Third,promoting the popu-larization of drama demonstration.Maximazing the local dissemination of the drama in order to arouse the sympathy of the masses by going deep into the lives of the masses to collect drama materials,paying attention to the major events closely related to the vital interests of the masses and using the popular language.

关 键 词：山东抗日根据地戏剧 宣传动员 社会动员 剧团 

分 类 号：G210[文化科学—新闻学]