论新中国成立前后《红旗歌》的版本变迁和文本演化  

The Version Change and Text Evolution of The Red Flag Song before and after the Founding of New China

作　　者：陈宁 刘文辉[1] CHEN Ning;LIU Wenhui(School of Literature,Law and Art,East China University of Technology,Nanchang Jiangxi 330013)

机构地区：[1]东华理工大学文法与艺术学院,江西南昌330013

出　　处：《长治学院学报》2024年第4期72-79,共8页Journal of Changzhi University

基　　金：教育部人文社科规划一般项目“《中国人民文艺丛书》全目叙录、整理与研究”(22YJA751016);东华理工大学研究生创新专项基金项目“‘人民戏剧’经典《红旗歌》的文本修改和版本演变研究”(DHYC-202342)。

摘　　要：鲁煤执笔的《红旗歌》是中国话剧史上第一部重要的工业题材的话剧,它与《白毛女》曾并称为解放区戏剧运动史上的“一红一白”。新中国成立前后的两年间,《红旗歌》逐渐演遍全国,掀起了热烈的反响,其演出大获成功的背后隐藏着一条作者对剧本反复打磨试验的历程。《红旗歌》的版本流变是不同历史境遇的映射,展现出特定时代的戏剧形态与特征。文章通过梳理考察《红旗歌》的版本变迁和文本演化过程,探析其背后所隐藏的深层历史动因,能够为理解新中国成立前后话剧的发展演变现象提供一定的实证支持。The Red Flag Song,written by Lu Mei,is a significant milestone in the history of Chinese drama.Alongside The White Haired Girl,it was once referred to as“one red and one white”during the drama movement in liberated areas.In the two years before and after the founding of New China,The Red Flag Song gradually gained nationwide popularity and evoked enthusiastic responses.The success of its performance can be attributed to the author’s meticulous refinement and testing of the script.The evolution of different versions of The Red Flag Song reflects distinct historical circumstances,showcasing specific dramatic forms and characteristics of each era.By examining this evolution process and delving into its deep historical motivations,we can gain empirical insights into understanding the development and evolution of drama before and after the founding of New China.

关 键 词：《红旗歌》 鲁煤 版本变迁 文本演化 

分 类 号：I206.6[文学—中国文学]