格萨尔藏戏剧诗审美形态研究  

Study on the Aesthetic Form of Gesar Zang Opera Performance

作　　者：邸莎若拉 DI Sharuola

机构地区：[1]中国艺术研究院,北京100012

出　　处：《青海民族研究》2024年第3期83-86,共4页Qinghai Journal of Ethnology

基　　金：2023年中国艺术研究院基本科研业务费项目人才培养资助项目(青年人才资助项目)“格萨尔马背藏戏演述形态研究”(批准号:2023-4-18)阶段性成果。

摘　　要：格萨尔藏戏是流传于青藏高原藏族中的以演述格萨尔史诗为题材的藏戏剧种。以民族志表演理论为阐释框架,从戏剧学与诗学的双重视角,考察研究格萨尔史诗由剧本诗学到戏剧表演诗学的戏剧本体,解释格萨尔藏戏演述剧诗审美形态与诗学美学特征,从而进一步揭示中国戏曲剧诗学的本质,为建构中国特色戏剧学话语体系提供依据。Gesar Zang Opera is a form of Zang opera that has been transmitted among the Zang ethnic groups on the Qinghai-Tibet Plateau,primarily portraying Gesar epic narratives.It not only possesses the aesthetic characteristics of integrating sound and poetry,but also embodies the features of folk narrative poetry.The performance and storytelling style of Zang opera presents a unique blend of dramatic and poetic aesthetics,encompassing elements such as verse and melody,song and dance,lyricism and narration,poetical expression through the drama performance,as well as epic storytelling.By reflecting the aesthetic form of"combining singing and dancing to depict stories"in theatrical performances,this method of inheritance along with its diverse beauty essence construction contributes significantly to studying the aesthetic form system in Zang Opera.

关 键 词：格萨尔藏戏 审美形态 剧诗 

分 类 号：C95[社会学—民族学]