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作 者:伏煦 Fu Xu
出 处:《中山大学学报(社会科学版)》2024年第5期34-41,共8页Journal of Sun Yat-sen University(Social Science Edition)
基 金:国家社会科学基金重大项目“历代别集编纂及其文学观念研究”(21&ZD254)。
摘 要:以“理、事、情”为核心的三分法和与之对应的文学表达方式,即议论、叙事、抒情,作为文学在内容上的分类标准,与包括六经、子史与后世各体文章在内的四部之文,共同建构了一个多层次的文体分类体系。在古文理论的视域内,“理、事、情”三分法也存在着“变体”:强调“子史”的并立即议论与叙事的二元对立以及在乾嘉汉学的时代背景下,考据作为新的要素进入这一体系。诗歌既可能兼包“理、事、情”三者,又在整个文学分类体系中作为抒情文类的代表与“情”对应,故而诗歌与“理、事、情”具有双重关系,而加入以古文为主的这一分类体系,既符合诗歌源于六艺之一的学术史事实,亦有利于丰富这一体系的理论内涵。The tripartite framework centered on“reason,matter and emotion”,along with the corresponding literary expression forms of argumentation,narrative,and lyricism,serves as the content classification standard for literature,which,together with the six classics,philosophy and history,and the various literary forms,constructs a multi-layered style classification system.Within the scope of the theory of classic prose,there are also variations in this tripartite division of“reason,matter and emotion”:it emphasizes the duality between“philosophy and history”,namely discussion and narration,and in the context of Qianjia philological studies乾嘉汉学,textual criticism考据enters this system as a new element.Poetry may not only encompass the three aspects of“reason,matter,and emotion”,but also represent lyrical literature that corresponds with“emotion”in the entire literary classification system,so there is a dual relationship between poety and“reason,matter,and emotion”.Integrating this classification system primarily based on classic prose not only aligns with the academic historical fact that poetry originates from the six arts,but also enriches the theoretical connotation of this system.
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