戏剧与纪实——新俄罗斯戏剧时政  

The Current Politics of the New Russian Theatre:Theatrical and Documentary

作　　者：王丽丹[1] WANG Lidan

机构地区：[1]南开大学外国语学院

出　　处：《中国政法大学学报》2024年第5期275-286,共12页Journal Of CUPL

基　　金：教育部人文社科研究重大攻关项目“多卷本《俄国戏剧史》编撰与重要资料翻译研究(19JZD030)”的阶段性研究成果。

摘　　要：俄罗斯纪实戏剧处于当今世界纪实戏剧运动潮流之中,因其纪实性,俄罗斯纪实戏剧与俄罗斯的时政紧密绑定,及时而又直接“上演”时政,成为近十多年俄罗斯纪实戏剧的追求。自2010年起的新俄罗斯纪实戏剧,以其独特的艺术形式,积极介入现实,参与到俄罗斯新的历史进程,自觉地履行组织传播的社会功能,与报纸、电视、广播、社交媒体等大众传媒一同参与俄罗斯时政,从而在戏剧舞台以及在现实世界创造了一种新的文化生态,成为当代俄罗斯时政文化的一个重要领域。Russian documentary theatre is in the midst of the current trend of the world’s documentary theatre movement.Because of its “documentary” nature,Russian documentary theatre is closely bound up with Russia’s current politics,and timely and direct “staging” of current politics has become the pursuit of Russian documentary theatre in the last decade or so.Since 2010,the new Russian documentary theatre,with its unique artistic form,has actively intervened in reality,participated in the new historical process in Russia,consciously fulfilled the social function of organizing and disseminating,and participated in the current politics of Russia together with mass media such as newspapers,TV,radio,social media,and so on.Thus it creates a new cultural ecology on the theatre stage as well as in the real world,and become an important area of contemporary Russian current politics culture.

关 键 词：俄罗斯 纪实戏剧 时政 艺术参与 

分 类 号：I512.073[文学—其他各国文学] K512.6[历史地理—历史学]