洛阳民间神庙临时戏台考述——以清至民国时期碑刻文献为考察中心  

A Textual Research of the Temporary Opera Stages in Luoyang Local Temples--Centering around the Documentary Inscriptions During the Period of Qing Dynasty and the Republic of China

作　　者：唐霞[1] 程峰[1] TANG Xia;CHENG Feng(Jiaozuo Normal College,Tanhuai Culture Research Institute,Jiaozuo 454000,China)

机构地区：[1]焦作师范高等专科学校覃怀文化研究院,河南焦作454000

出　　处：《洛阳理工学院学报（社会科学版）》2024年第5期6-11,共6页Journal of Luoyang Institute of Science and Technology：Social Science Edition

基　　金：2023年度教育部人文社科一般规划项目“(多卷本)河南戏曲文物志”(编号:23YJA760076)的阶段性成果.

摘　　要：作为戏曲的演出场所,戏台有固定戏台和临时戏台之分,两者长期并存。由于缺少实物证明和文献记载,目前学界对于临时戏台的研究没有引起足够的重视。以清至民国时期碑刻文献为考察中心,洛阳民间神庙搭建临时戏台之风持续存在,其因循民间神庙不同的地形地势需求而搭建以降低成本,其作为固定戏台的有益补充,临时戏台发挥着娱乐、社会教化以及文化传承的功能和作用。Opera stages,important for stage performance,can be classified into fixed stages and temporary stages,co-existing with each other for long.There being lack of real objects and documentary proofs,little attention has been paid to the academic study of temporary opera stages.This paper,centering around the documentary inscriptions during the Qing Dynasty and the Republic of China,intends to make a study of temporary stage settings in Luoyang local temples,where it can follow the geographical and geomorphic features,built with low cost and serving as a helpful complement to fixed opera stages.Temporary opera stages can play the role of entertaining and moralizing the public,and inheriting and developing traditional culture.

关 键 词：洛阳神庙 临时戏台 清至民国 碑刻资料 

分 类 号：K29[历史地理—历史学]