虎丘文化景观与皮陆唱和诗的新变  

The Tiger Hill Cultural Landscape and the New Changes in the Poetry Interaction Between Pi Rixiu and Lu Guimeng

作　　者：徐贺安 XU He’an(College of Foreign Languages,National University of Defense Technology,Nanjing 210039,China)

机构地区：[1]国防科技大学外国语学院,江苏南京210039

出　　处：《苏州教育学院学报》2024年第4期38-45,共8页Journal of Suzhou College of Education

摘　　要：皮日休、陆龟蒙构建的“虎丘追和”反映了唱和诗的新面貌。“虎丘追和”描写了虎丘、剑池、寺庙、真娘墓等多种景观,并营构了先秦墓地、晋代别墅、南朝寺庙、唐代游览胜地等多重空间。“虎丘追和”新变体现在四个方面:一是以诗序加诗评的方式增添了诗歌文本的抒情性、叙事性;二是以追和、补写的形式拓展了晚唐唱和诗的表现功能;三是“虎丘追和”营造了神秘、休闲、华丽、凄艳的审美氛围;四是“虎丘追和”达到了繁杂而有逻辑、游戏兼能言志的艺术境界。The“Tiger Hill Poetry Interaction”developed by Pi Rixiu and Lu Guimeng demonstrates a new type of poetry interaction.“Tiger Hill Poetry Interaction”covers a variety of landscapes such as Tiger Hill,Sword Pond,the temples,and Zhenniang Tomb,and constructs multiple spaces such as the pre-Qin Dynasty cemetery,villas of the Jin Dynasty,temples of the Southern Dynasties,and the tourist attractions of the Tang Dynasty.The new changes of“Tiger Hill Poetry Interaction”are reflected in four aspects:first,the lyricism and narrative nature of the poetry text are added by means of poem preface and poetry commentary;second,it expands the expressive function of the poetry interaction of the late Tang Dynasty in the form of chasing harmony and supplementation;third,“Tiger Hill Poetry Interaction”creates a mysterious,casual,gorgeous and poignant aesthetic atmosphere;fourth,“Tiger Hill Poetry Interaction”has reached the artistic realm of complexity and logic,game play and will expression.

关 键 词：皮日休 陆龟蒙 虎丘诗歌 追和 文化景观 

分 类 号：I207.22[文学—中国文学]