歌谣与政治:新民主主义革命时期听觉符号中毛泽东形象的构建  

Ballads and Politics:Construction of Mao Zedong Image in Auditory Symbols During the New Democratic Revolution

作　　者：牛宏程 NIU Hongcheng(Collage of Liberal Arts,Shanxi University,Taiyuan 030006,China;College of Liberal Arts,Yan’an University,Yan’an 716000,China)

机构地区：[1]山西大学文学院,山西太原030006 [2]延安大学文学院,陕西延安716000

出　　处：《湖南工业大学学报（社会科学版）》2024年第5期82-89,共8页Journal of Hunan University of Technology(Social Science Edition)

基　　金：国家社会科学基金重大项目“山陕豫民间文化资源谱系与创新性发展的实证研究”(19ZDA185);教育部哲学社会科学研究后期资助项目“二十世纪文学的民俗文化研究”(19JHQ036);山西省哲学社会科学规划项目“山西非物质文化遗产旅游体验基地调查与对策研究”(2003YY036)。

摘　　要：新民主主义革命时期,毛泽东形象作为听觉的政治符号传播,产生了重大的社会影响。毛泽东形象作为听觉的政治符号在歌谣中具有三个维度的文化意义,即毛泽东是革命理论的建构者,是救国道路的开拓者,还是为民服务的实践者。听觉符号中毛泽东形象的传播,筑牢了党的执政基础,实现了民族情感认同,形塑了民族共同理想,并在引领政治生态健康发展中起到了重要作用。During the New Democratic Revolution,Mao Zedong image was disseminated as an auditory political symbol,which had a significant social impact.As an auditory political symbol,Mao Zedong image has three dimensions of cultural significance in ballads,namely,Mao Zedong is the builder of revolutionary theory,the pioneer of saving the country and the practitioner of serving the people.The spread of Mao Zedong image in auditory symbols has laid a solid foundation for the Party’s governance,realized the national emotional identity,shaped the national common ideal,and played an important role in leading the healthy development of political ecology.

关 键 词：毛泽东形象 新民主主义革命 听觉符号 政治符号 

分 类 号：J605[艺术—音乐]