论当代韩裔美国诗歌创伤主题的“视觉化”再现  

On Visual Representation of Trauma in Contemporary Korean American Poetry

作　　者：蒲若茜[1] 宋佳音 Pu Ruoqian;Song Jiayin(College of Foreign Studies,Jinan University,Guangzhou,China,510632;College of Liberal Arts,Jinan University,specializing in Asian American poetry)

机构地区：[1]暨南大学外国语学院 [2]暨南大学

出　　处：《当代外国文学》2024年第3期44-52,共9页Contemporary Foreign Literature

摘　　要：20世纪以来,日本殖民与朝鲜战争使韩民族蒙受灾难,形成了韩裔美国诗歌中挥之不去的创伤主题。本文从创伤理论、“视觉化文本”和文本“视觉化”的角度出发,探析当代韩裔美国诗人车学庆、金洙池和金咏梅如何基于民族记忆,再现族裔和战争创伤。为抵抗美国主流社会对历史的刻意抹杀,诗人以极具视觉冲击力的图像记忆、战争场景的复原、蒙太奇手法的运用,重建连续而真实的韩裔美国历史;同时,藉由对创伤主题的“视觉化”再现,诗人将殖民与战争给受害者带来的痛苦公之于世,将个人、族裔与人类命运共同体相连——这不仅使韩裔美国族群心灵创伤的疗愈成为可能,更为全世界敲响了抵抗霸权主义和强权政治的警钟。Since the 20th century,Japanese colonization(1910-1945)and the Korean War(1950-1953)have caused disasters to the Korean nation,resulting in indel-ible trauma writing in Korean American poetry.From the perspective of trauma theory,"visual text"and"text visualization",this article explores how contemporary Korean American poets such as Theresa Hak-kyung Cha,Suji Kwock Kim and Myung Mi Kim represent ethnic and war traumas based on national memory.In order to resist the deliber-ate erasure of history by the mainstream American society,the poets present visually im-pactful image memory and war scenes and apply the technique of montage,reconstructing a continuous and authentic Korean American history.At the same time,by visualizing the theme of trauma,the poets expose the suffering brought by colonialization and war,connecting individuals,ethnicities,and a community with a shared future for humanity.This not only makes it possible to heal the emotional trauma of the Korean American community,but also rings the alarm for the world to resist hegemonism and power politics.

关 键 词：当代韩裔美国诗歌 创伤 再现 视觉化 

分 类 号：I712.072[文学—其他各国文学]