从庄子“惧怠惑”观念探析原始美术的情感表达对现代设计的影响  

Explore the Influence of Emotion Expression of Primitive Art on Modern Design from Zhuangzi's Concept of“Fear,Slack and Confusion”

作　　者：王佳慧 孙红阳[1] 王凤 WANG Jiahui;SUN Hongyang;WANG Feng(East China University of Technology,Nanchang 330013,China)

机构地区：[1]东华理工大学,江西南昌330013

出　　处：《鞋类工艺与设计》2024年第19期81-83,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：原始美术是人类艺术情感表达最纯粹的载体,本文通过剖析庄子所描述“惧怠惑”的3种境界,探究早期人类在艺术创作过程中的心理活动,将从先民艺术创作时恐惧和敬畏的情感宣泄、无意识的审美愉悦以及纯粹随意的情感表现3个层面进行探讨,同时研究现代设计师如何从中挖掘灵感,将情感表达巧妙地融入设计之中,为现代设计领域注入新的生机与活力。Primitive art is the purest carrier of human artistic emotion expression.By analyzing the three realms of“fear,slack,confusion”described by Zhuangzi,this paper explores the psychological activities of early human beings in the process of artistic creation.The paper will discuss the emotional catharsis of fear and awe in the artistic creation of the ancestors,the unconscious aesthetic pleasure and the pure and random emotional expression.Meanwhile,how to explore the inspiration of modern designers,the emotional expression skillfully into the design,inject new vitality and vitality into the field of modern design.

关 键 词：原始美术 情感表达 “惧怠惑” 现代设计 

分 类 号：J505[艺术—艺术设计] J0