金秀盘瑶织绣图案的符号学探究与设计转化  

Semiotic exploration and design transformation of Pan Yao weaving and embroidery patterns of Jinxiu Pan Yao ethnic group

作　　者：徐云[1] 郭津铭 XU Yun;GUO Jinming(College of Art,Guilin University of Technology,Guilin 541006,China)

机构地区：[1]桂林理工大学艺术学院,广西桂林541006

出　　处：《东华大学学报（社会科学版）》2024年第3期81-90,共10页Journal of Donghua University:Social Science

基　　金：2023年广西哲学社会科学研究课题“广西瑶族传统服饰纹样谱系构建及创新转化研究”(项目编号:23BMZ005)。

摘　　要：以金秀盘瑶织绣图案为研究对象,通过对文献资料进行分析,对金秀盘瑶织绣图案工艺、纹样、色彩等方面的代表性符号特征进行探讨,并在莫里斯符号学语构、语义、语用的基础上,对金秀盘瑶织绣图案各代表性符号之间的关系进行解读,最终采用现代设计实践的方法,从金秀盘瑶织绣图案的代表性符号元素中提取设计因子,以文创产品为载体对金秀盘瑶织绣图案进行设计转化。在从符号学角度为金秀盘瑶织绣图案的阐释和研究提供更多的思路和借鉴的同时,也对少数民族织绣图案在现代文创设计中应用的方法与路径作了探索。Taking Jinxiu Pan Yao weaving and embroidery pattern as the research object,through the analysis of the literature,the representative symbolic features of Jinxiu Pan Yao weaving and embroidery pattern in terms of craftsmanship,pattern and colour are discussed,and the relationship between the representative symbols of Jinxiu Pan Yao weaving and embroidery pattern is interpreted on the basis of Morris semiotics of semantics,semantics,and semantics,and the method of modern design practice is finally adopted to extract design factors from the representative symbol elements of Jinxiu Pan Yao weaving and embroidery pattern,and design transformation is carried out for cultural and creative products.Finally,using the method of modern design practice,the design factors are extracted from the representative symbolic elements of Jinxiu Pan Yao embroidery pattern,and the design of Jinxiu Pan Yao embroidery pattern is transformed by using the cultural and creative products as the carrier.While providing more ideas and reference for the interpretation and research of Jinxiu Pan Yao embroidery patterns from the perspective of semiotics,it also explores the methods and paths for the application of ethnic minority embroidery patterns in modern cultural and creative design.

关 键 词：符号学探究 设计转化 织绣图案 金秀盘瑶 莫里斯符号学 设计因子 图案转化 文创设计 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]