“框”与“框”的解体--“绘画空间”的生成与迭变  

The"Frame"and its Disintegration:Generation and Collapse of"Painting Space"

作　　者：高迎进 GAO Yingjin

机构地区：[1]南开大学文学院

出　　处：《当代美术家》2024年第5期4-18,共15页Contemporary Artists

摘　　要：在西方绘画艺术历史演变中,“画框”是“绘画空间”的隐喻,它是视觉知识和视觉观念的产物,同时也是视觉观念和视觉语言的生产者。在这个“框”内生成的绘画语言中,存在一种由“深度秩序”和“平面秩序”两种视觉思维活动构成的结构性张力,这种张力不仅是西方绘画语言体制形成和变化的驱动力,也是“绘画空间”形态特征和蜕变的标记。In the history of Western painting art,“frame”is a metaphor for“painting space”,which is the product of visual knowledge and visual concepts,and meanwhile it is the producer of the two.In the painting language generated within this"frame",there is a structural tension composed of two visual thinking activities,“depth order”and"plane order",which is not only the driving force for the formation and change of the Western painting language system,but also the marker of the morphological characteristics and transformation of“painting space”.

关 键 词：阿尔贝蒂之窗 绘画空间 绘画语言 空间观念 

分 类 号：J205[艺术—美术]