大足宝顶山石刻开凿者重考  

Re-examination of the Excavators of Dazu Baoding Mountain Stone Carvings

作　　者：牟群[1] 杨贤水 MOU Qun;YANG Xianshui

机构地区：[1]四川美术学院 [2]不详

出　　处：《当代美术家》2024年第5期45-64,共20页Contemporary Artists

摘　　要：本文于大足学研究中,首次提出宝顶山石刻并非由赵智凤开凿,而另有其人其因。宝顶山石刻并非学界约定俗成的民间工程性质,而具皇家工程属性。本文提供一种跨界综合的方法论,通过图像分析与文献解读,提出宝顶山并非密宗道场,而是佛教各宗集成。进而认为,宝顶山释儒道三教融合以及世俗化特征,来自皇权意志与民间诉求的互为与包容,形成巴蜀地域实用主义宗教观、审美艺术观,提出宝顶山石刻是借佛教教义、形象,传播儒学伦理教化。In the Dazu Studies,this paper for the first time proposes that the Bao Ding Mountain stone carvings were not excavated by Zhao Zhifeng,but by someone else with other reasons.The Baoding Mountain stone carvings are not a folk project as commonly agreed in academia,but have the attributes of a royal project.This paper provides a cross-border synthesis methodology,proposing through image analysis and literature interpretation that Baoding Mountain is not a tantric mandala,but an integration of various Buddhist sects.It further argues that the integration and secularization of Buddhism,Confucianism and Taoism in Baoding Mountain stem from the mutuality and inclusion between the will of the emperor and the demands of the people,forming a pragmatic religious and aesthetic artistic view of the Bashu region,and proposes that the Baoding Mountain stone carvings were borrowed from the Buddhist teachings and images to disseminate the confucian ethical bildung.

关 键 词：大足宝顶山摩崖 开凿者重考 皇家工程 佛宗集成 以佛宣儒 开放包容 

分 类 号：K877.4[历史地理—考古学及博物馆学]