中国古文字基因汇入当代艺术设计的风格路径--以韩美林“天书”风格为例  

The Style Path of Integrating the Genes of Ancient Chinese Characters into Contemporary Art and Design--Taking Han Meilin's"Tianshu"Style as an Example

作　　者：盛恬子 SHENG Tianzi

机构地区：[1]中国地质大学(北京)珠宝学院 [2]北地珠宝艺术展陈中心 [3]清华大学美术学院

出　　处：《当代美术家》2024年第5期117-126,共10页Contemporary Artists

基　　金：2022年中央高校基本科研业务费专项资金资助项目“艺术家风格本体研究--以韩美林为例”(项目编号:590123058)的阶段成果。

摘　　要：中华民族的原始文明以象形文字作为起点,是其实用方面和智慧发展阶段方面的诸多影响在共同发挥作用,不仅保证了“清晰与通用性”这一最重要的原则,还蕴含了构型创意和秩序美感。韩美林用现代的“轻重缓急运营、灵活搭配组合、造型典型提炼、二维三维跨界”来追求中国远古文字基因中的“线条美、构成美、生命美、形式美”,创作了一系列既是传统的,又是现代的“天书”风格作品,探索当代社会语境下的中国式现代审美。文章从主体人类学的研究视域,将艺术家风格的形成路径与人格力量建立联系,提取韩美林转化中国古文字基因的方法,为民族艺术资源现代性发展提供一条可资借鉴的风格路径。The primitive civilization of the Chinese nation chose hieroglyphs as its starting point,which had many practical aspects and intellectual influences on its development stage.It not only ensured the most important principle of“clarity and universality”,but also contained the creativity of configuration and the beauty of order.Han Meilin pursues the“beauty of lines,composition,life,and form”in the genes of ancient Chinese characters through modern“prioritization and operation,flexible combination,typical refinement of shapes,and two-dimensional and three-dimensional cross-border”.He has created a series of works in both traditional Chinese and modern“Tianshu”style,exploring the Chinese style modern aesthetics in the contemporary social context.The article establishes a connection between the formation path of artist style and personality power from the perspective of subject anthropology,extracts the method of Han Meilin’s transformation of Chinese ancient script genes,and provides a style path that can be referenced for the development of national art resources in modern times.

关 键 词：中国古文字 当代艺术设计 风格路径 韩美林 天书 

分 类 号：J292.1[艺术—美术] H121[语言文字—汉语]