话轮转换理论视域下超克图纳仁剧作《金鹰》与曹禺剧作《原野》的比较研究  

A Comparative Study of Chogtunaren's Play The Golden Eagle and Cao Yu's Play The Wilderness from the Perspective of Turn Taking Theory

作　　者：王满特嘎 高娃 Wang Mantega;Gaowa(School of Chinese Minority Language and Literature,Minzu University of China,Beijing 10008l,China)

机构地区：[1]中央民族大学中国少数民族语言文学学院,北京100081

出　　处：《内蒙古社会科学（蒙文版）》2024年第4期91-99,共9页Social Sciences of Inner Mongolia:Mongolian Edition

基　　金：中央民族大学铸牢中华民族共同体意识项目“铸牢中华民族共同体意识视域下的蒙古族戏剧文学研究一一以超克图纳仁戏剧文学为例”(编号:GTTZX2024020)。

摘　　要：话轮转换理论是戏剧文体学研究新的理论方法,该理论通过分析戏剧对话使戏剧人物、戏剧情节、戏剧冲突以更加客观的方式呈现出来。传统的文学批评往往是批评者的主观评价,缺乏客观和量化论据的支撑,而戏剧文体学话轮转换理论的定量分析模式有助于弥补这种不足。利用话轮转换定量分析框架,将超克图纳仁的代表作《金鹰》与曹禺的代表作《原野》进行对比分析后发现,二者在人物形象塑造、情节结构安排、主题思想表达等方面具有一定的相似性。超克图纳仁在创作《金鹰》时受到曹禺文体影响的实例反映了中国戏剧文学在文化方面的交往交流与交融。Turn taking theory is an emerging research method in dramatic stylistics.By analyzing dramatic dialogues,the theory can make dramatic characters,dramatic plots,and dramatic conflicts presented in a more objective way.Traditional literary criticism is often subjective to the critic's feelings and lacks objective and quantitative arguments,while the quantitative mode of analysis of dramatic stylistics turn taking of fiction helps to make up for this deficiency.Using the framework of quantitative analysis of turn taking,it is not difficult to find some similarities in the characterization,plot structure,and expression of the main ideas between Chogtunaren's representative drama The Golden Eagle and Cao Yu's representative drama The Wilderness after comparing and analyzing the two dramas.The example of Cao Yu's stylistic influence on Chogtunaren's creation of The Golden Eagle also deeply reflects the cultural exchanges,interaction and integration of Chinese drama literature.

关 键 词：超克图纳仁 曹禺 《金鹰》 《原野》 话轮转换理论 

分 类 号：I20[文学—中国文学]