论丹津拉布杰与尹湛纳希《四季》诗歌之艺术特征  

The Characteristics of the PoemThe Four Seasons by Poets Danzanravjaa and Yinjannashi

作　　者：乌日其木格 黑龙 Uranchimeg;Hlarluu(Department of Chinese Language and Literature,Northwest Minzu University,Lanzhou Gansu 730030,China;Institute of History of the Chinese National Community,Dalian Minzu University;Liaoning Province Research Base for the History of Interactions and Integration of Various Ethnic Groups,Dalian Liaoning 116600,China)

机构地区：[1]西北民族大学中国语言文学学部,兰州730030 [2]大连民族大学中华民族共同体历史研究所 [3]辽宁省各民族交往交流交融史研究基地,大连116600

出　　处：《内蒙古社会科学（蒙文版）》2024年第4期109-115,共7页Social Sciences of Inner Mongolia:Mongolian Edition

基　　金：国家社会科学基金重大项目“《钦定理藩院则例》满蒙汉诸本整理与研究”编号:(17ZDA208)。

摘　　要：19世纪蒙古族诗人丹津拉布杰与尹湛纳希的同题材诗歌《四季》,均为蒙古族传统四季诗歌的经典之作,展现了他们各自独特的艺术风格与深刻的思想内涵。丹津拉布杰的作品充满了对游牧生活的哲理性思考和对自然景观的细腻描绘,展现出深沉的精神内涵;尹湛纳希则通过对居民日常生活的细致观察和传统诗歌韵律的巧妙运用,将情感融入诗歌之中。尽管两位诗人的写作风格各具特色,但他们对四季的客观印象和深刻感知,通过细腻的内心独白巧妙地表达了对自然的观察与情感。这种独特的表达手法,不仅使他们的作品在蒙古族文学中独树一帜,而且对后代诗人的创作也产生了深远影响。The 19th-century Mongolian poets Danzanravjaa and Yinjannashi created The Four Seasons,a collection of poems that not only serves as a classic example of traditional Mongolian seasonal poetry but also showcases their unique artistic styles and profound ideological depth.Danzanravjaa's works are imbued with philosophical reflections on nomadic life and meticulous depictions of natural landscapes,revealing a profound spiritual essence.Yinjannashi,on the other hand,integrates his careful observations of daily life and the clever use of traditional poetic rhythms to infuse emotion into his poetry.Despite their distinct writing styles,both poets convey their objective impressions and deep perceptions of the seasons through delicate inner monologues that express their observations and feelings about nature.This unique approach not only sets their works apart in Mongolian literature but also exerts a lasting influence on the creations of subsequent poets.

关 键 词：丹津拉布杰 尹湛纳希 《四季》诗歌 特征 

分 类 号：I20[文学—中国文学]