古代墓葬中鹰猎题材壁画的内容及其文化价值  

The Contents and Its Cultural Value of the Eagle Hunting Themed Murals in Ancient Tombs

作　　者：达·额尔德木图 Da Erdemt(School of Mongolian Studies,Inner Mongolia Normal University,Hohhot Inner Mongolia 010022,China)

机构地区：[1]内蒙古师范大学蒙古学学院,呼和浩特010022

出　　处：《内蒙古社会科学（蒙文版）》2024年第4期136-143,共8页Social Sciences of Inner Mongolia:Mongolian Edition

基　　金：国家社科基金项目“非物质文化视野下的北方民族鹰猎文化研究”(编号:19VJX145)。

摘　　要：据文献记载与古代墓葬壁画,早在秦汉时期鹰猎技能就已为中国人熟练掌握,臂鹰牵狗已成为士人贵族狩猎的标配。到了唐代,鹰猎之风更为盛行,鹰猎已成为统治阶级重要的娱乐方式。辽金元时期是鹰猎文化的鼎盛时期。古代墓葬壁画是当时社会生活的缩影,表达了墓主人生前的活动、喜好和死后的期望。通过观察,从秦汉至辽代的鹰猎题材墓葬壁画中,不仅能够了解与古代训鹰有关的知识,还能探索鹰猎文化的发展脉络及其文化价值等。According to literature records and ancient tomb murals,as early as the Qin and Han Dynasties,eagle hunting skills have been mastered by the Chinese people,and the arm eagle and dog have become the standard match of aristocratic hunting.In the Tang Dynasty,the wind of eagle hunting was more prevalent,and eagle hunting had become the most important way of entertainment for the ruling class.The Liao,Jin and Yuan period was the heyday of eagle hunting culture.Ancient tomb murals are the epitome of social life at that time,expressing the activities and preferences of the tomb owner and his expectations after death.By observing the tomb murals from the Qin and Han Dynasties to the Liao Dynasty,we can understand the knowledge of ancient eagle training,and explore the development of eagle hunting culture and the cultural thoughts contained in them.

关 键 词：古代墓葬 鹰猎题材壁画 娱乐 

分 类 号：K87[历史地理—考古学及博物馆学]