光影与算法:人工智能类摄影图像的拓扑像似研究  

Light and Algorithm:Topological Similarity Research on AI-Generated Photographic-like Images

作　　者：张沛之 Zhang Peizhi(the ISMS research team)

机构地区：[1]四川大学符号学-传媒学研究所

出　　处：《符号与传媒》2024年第2期168-180,共13页Signs & Media

基　　金：国家社科基金重大项目“当代艺术提出的重要美学问题研究”(20&ZD049)的阶段性成果。

摘　　要：本文在人工智能与摄影相交融的背景下,借助符号美学理论,深入探讨人工智能所生成的类摄影图像与传统摄影之间的内在关联。通过“拓扑像似”这一概念,将人工智能生成的类摄影图像细分为“文字转换的邻域拓扑”“历史解构的集群拓扑”以及“影像本体的时间拓扑”三个层面,分别从文本阐释多样性、艺术风格转变以及时间意义重构等角度出发,剖析人工智能类摄影图像在视觉表现和文化意义上的独特之处,旨在为探究这一图像类型提供新的理论视角和研究路径,丰富和发展当代艺术与科技交叉领域的研究。In the context of the convergence of artificial intelligence(AI)and photography,this paper delves into the intrinsic connection between Al-generated photographic-like images and traditional photography,drawing on semiotic aesthetic theory.By introducing the concept of"topological similarity",Al-generated photographic-like images are subdivided according to three aspects:"textual transformation neighbourhood topology","historical deconstruction cluster topology",and"image ontology temporal topology".These aspects are analysed from the perspectives of the diversity of textual interpretation,the transformation of artistic style,and the reconstruction of temporal meaning,respectively,to examine in depth the unique visual representation and cultural significance of AI-generated photographic-like images.This study aims to provide a new theoretical perspective and research path for exploring this type of image,enriching and developing research at the intersection of contemporary art and technology.

关 键 词：拓扑像似 人工智能 摄影 符号学 

分 类 号：J405[艺术—摄影艺术]