镜像中的“古典”与遗落的“时空”——葛亮小说论  

"Classics"in the Mirror and Lost"Time and Space"--On Ge Liang's Novels

作　　者：李玮[1] Li Wei

机构地区：[1]南京师范大学文学院,南京210097

出　　处：《中国文学批评》2024年第4期23-29,187,共8页Chinese Journal of Literary Criticism

摘　　要：葛亮的小说创作呈现了“古典”风格与历史功能之间的关系。其早期小说具有形式游戏的特征,将时间和故事封存在形式内部,但这种表面上的“脱历史化”并非没有历史性。而后,葛亮开始在小说中构建新的历史时空。从“脱历史化”到“再历史化”以及代表性作品中以“遗迹”和“弱者”为绳结重新编织历史逻辑,葛亮的小说力图以“古典”的风貌与现代宏大叙事对话,重构文化连续性。Ge Liang's novels exhibit a distinct relationship between"classical"style and historical function.Over time,Ge Liang began to construct new historical time-spaces in his fiction.His transition from"de-historicization"to"re-historicization,"and his representative works that weave historical logic through motifs of"relics"and"the weak,"reflect an effort to engage in a dialogue between"classical"aesthetics and modern grand narratives.Through this,his novels aim to reconstruct cultural continuity.

关 键 词：葛亮 新古典主义 历史化 

分 类 号：I207.42[文学—中国文学]