现实“深描”、文类融合与再造传统——论当下叙事文学的三种脉象  

"Thick"Depiction of Reality,Genre Fusion,and Tradition Rebuilding-An Analysis of Three Trends in Current Narrative Literature

作　　者：马兵[1] Ma Bing

机构地区：[1]山东大学文学院,济南250100

出　　处：《中国文学批评》2024年第4期160-167,190,共9页Chinese Journal of Literary Criticism

基　　金：国家社会科学基金项目“中国当代笔记小说研究”(22BZW168)阶段性成果。

摘　　要：当下叙事文学展现出“深描”现实、借助类型文学元素推动文类的跨界融合以及激活传统叙事资源以再造传统这三种脉象。“深描”现实指以微观介入的写作站位,以深沉的立场、深扎的姿态、深入的开掘,努力向着社会转型期大众心灵深层结构所经受的震撼以及他们变化中的情感结构、精神症候和经验世界掘进;类型文学与纯文学的文类融合,体现于纯文学作家越来越倚重科幻、推理等文类,在雅俗互鉴中找到透视生活和人性的新角度,为捕捉当下经验提供一种“有意味的形式”。还有一些作家主动回到传统,激活传统叙事并作现代转化,通过建立具有鲜明的辨识度和差异性、与“中国故事”相表里的“中国叙事”,彰显中国独有的叙事智慧。Current narrative literature exhibits three main trends:"thick"depictions of reality,genre fusion through the incorporation of elements from genre fiction,and the revitalization of traditional narrative resources to rebuild literary tradition."Thick"depiction refers to a micro-level writing approach that adopts a profound stance,a deeply rooted posture,and penetrative exploration.The fusion of genre with serious literature is evident as more literary authors draw from science fiction,detective fiction,and other genres.This trend offers a"meaningful form"for capturing present experiences.Additionally,some writers actively return to traditional storytelling,modernizing these narratives to create a distinctive"Chinese narrative"that embodies China's unique narrative wisdom and aligns with the telling of"Chinese stories."

关 键 词：“深描”文类 文体寻根 中国叙事 

分 类 号：I207[文学—中国文学]