从舞谱角度论清华简《乐风》  

Tsinghua Bamboo Slips Yue Feng from the Perspective of Dance Notation

作　　者：李若楠 LI Ruo-nan(Advanced Institute of Confucian Studies,Shandong University,Jinan 250100,China)

机构地区：[1]山东大学儒学高等研究院,济南250100

出　　处：《北京舞蹈学院学报》2024年第3期61-67,共7页Journal of Beijing Dance Academy

基　　金：国家社科基金重大委托项目“《子海》整理与研究”(项目编号10@ZH011)的阶段性成果。

摘　　要：清华简《乐风》可能是乐舞谱,第一部分为乐谱,“乐风”是该部分的标题,第二部分是依托某个“诗”类文本存在的舞谱。去除“接”“屈”“之”三字,该舞谱分为四组,每组三句15字,每句采用“某某屈某某”的固定句式。该舞谱为群舞表演所用,“接”为接续、交接之义,指舞蹈队形连接在一起,句首无“接”字者则队形比较疏阔。“屈”为屈折之义,在两个动作之间,表示一个动作向另一个动作的变化。“厀”“大”“小”为“厀舞”“大舞”“小舞”三个动作的省称,“上”“下”为三个舞蹈动作的两种指向。The Tsinghua bamboo slips Yue Feng may be music and dance scores.The first part appears to be the music score,with Yue Feng as its title,while the second part seems to be a dance notation based on a certain poetry text.By removing the three characters“Jie”“Qu”,and“Zhi”,the dance notation divides into four groups,each consisting of three sentences with 15 characters,following a fixed sentence structure of“XX Qu XX”.This dance score is intended for group dance performances,and the character“Jie”signifies continuation and connection,showing that dance formations are connected.If there is no“Jie”at the beginning of a sentence,the formation is relatively loose.The character“Qu”denotes a transition from one movement to the next.The terms“Xi”,“Da”,and“Xiao”are abbreviations for the three movements“Xi dance”“Da dance”,and“Xiao dance”.The terms“Shang”and“Xia”refer to the two directions of these three dance movements.

关 键 词：清华简 《乐风》 乐舞谱 诗乐舞三位一体 群舞 

分 类 号：J709[艺术—舞蹈]