西汉和新莽时期的制礼作乐与乐舞理想  

Rites and Music and Ideals of Music and Dance in the Western Han and the Xin Dynasty

作　　者：尤佳悦 YOU Jia-yue(School of Philosophy,Beijing Normal University,Beijing 100875,China)

机构地区：[1]北京师范大学哲学学院,北京100875

出　　处：《北京舞蹈学院学报》2024年第3期78-83,共6页Journal of Beijing Dance Academy

摘　　要：在西汉和新莽时期,礼乐一直是建构国家政治的重要问题,但礼乐制度在汉代的确立经历了漫长而曲折的过程。这一时期的礼乐制度总是处于不断变革之中,因为当时的儒家士人将西周礼乐理想化,每一次新制的礼乐均会遭到持保守儒家理念学者的否定。与此相应,乐舞作为礼乐制度的重要组成部分,也经历了一场复古运动。西汉和新莽时期的乐舞复古,是儒家思想日益占据主流的表现,也是乐舞理想不断深化的过程。During the Western Han Dynasty and the Xin Dynasty,the rites and music system was a crucial aspect to construct national politics.However,the establishment of the rites and music system in the Han Dynasty went through a prolonged and tortuous process.This period saw constant changes in the rites and music system,as Confucian scholars idealized the rites and music of the Western Zhou Dynasty,leading to every attempt to introduce a new system being rejected by scholars who held conservative Confucian views.Correspondingly,music and dance,as integral parts of the rite and music system,also underwent a return to classicism.The return to classicism in music and dance during the Western Han Dynasty and the Xin Dynasty reflected the increasing dominance of Confucianism and a process of deepening the music and dance ideals.

关 键 词：西汉礼乐 西汉乐舞 理想 制度 观念 

分 类 号：J709[艺术—舞蹈]