查尔斯·赖特诗歌的“中国意象”接受研究  

A Study of the Acceptance of Chinese Imagery in Charles Wright's Poems

作　　者：甘婷[1] 李若昕 GAN Ting;LI Ruoxin(School of Foreign Languages,Jimei University,Xiamen 361021,China)

机构地区：[1]集美大学外国语学院,福建厦门361021

出　　处：《集美大学学报（哲社版）》2024年第5期83-92,共10页Journal of Jimei University(Philosophy and Social Sciences)

基　　金：国家社会科学基金一般项目“20世纪美国诗歌第三次‘中国热’研究”;集美大学博士启动金项目“查尔斯·赖特诗歌艺术的文化‘共同体’建构研究”(Q202212)。

摘　　要：查尔斯·赖特以其丰满灵动的诗歌意象在美国现代诗坛独树一帜。赖特意象构建的自觉、对意象取材原则的理解以及意象情感结构的把握与他在象征导师埃兹拉·庞德的影响下,理解与接受中国古典诗歌意象构建方式密切相关。通过溯源赖特与“中国意象”的邂逅,分析其诗歌意象“意”与“象”的契合点,阐释其诗歌意象以象寄情和以情具象的情感结构,进而把握其诗歌文本的整体意境,可清晰地勾勒出赖特的诗歌艺术对“中国意象”的接受图景。Charles Wright is unique in modern American poetry with his rich and vivid poetic images.His self-consciousness of image construction,understanding of the principle of image acquisition and grasp of the emotional structure of poetic images are closely related to his comprehension and acceptance of the image construction method of Chinese classical poetry under the influence of his symbolic mentor Ezra Pound.By tracing Wright's encounter with the poetic art of Chinese Imagery,analyzing the confluence of“connotation”and“image”,explaining the emotional structure of his poetic imagery and comprehending the overall artistic conception of his poetic text,we can clearly outline his acceptance of Chinese classical poetry art Chinese Imagery.

关 键 词：“中国意象” 查尔斯·赖特 诗歌艺术 

分 类 号：I109[文学—世界文学]