将花酿蜜无复花:论集字诗的生成机制与诗体风格  

Turning flowers into honey without flowering again: on the generation mechanismand poetic style of word poems

作　　者：王园瑞 WANG Yuan-rui(College of Tea Science and Tea Culture,Zhejiang A&F University,Hangzhou,Zhejiang 311300)

机构地区：[1]浙江农林大学,浙江杭州311300

出　　处：《汕头大学学报（人文社会科学版）》2024年第7期14-21,94,共9页Journal of Shantou University(Humanities and Social Sciences Edition)

摘　　要：文学作品意义上的集字诗自宋代苏轼集《归去来兮辞》始,后世涌现出大量的以集《归去来兮辞》《兰亭集序》字诗为代表的诗歌创作,从经典中集字成诗成为推动文学经典化的重要传播方式。明清文人以“诗牌”集字成诗颇具游戏色彩,展现汉字魅力的同时映射出士人娱乐文化的千姿百态。集字诗从“经典”到“游戏”的写作模式,也引发后人对集字诗诗体风格的雅俗之争,蕴含丰富的诗学和文化韵味。the set of word poetry on literature sense originated from the collected works“I'm going home!”by Su Shi of Song dynasty.Later in history,a large number of word poems emerged as collecting characters from“I'm going home!”and“Preface to Lanting Collected Works”,which became an important transmission means of promoting literature canonization.The literati of Ming and Qing dynasties used“poetry cards”to compose word poems just like playing games,showing the charm of Chinese characters while reflecting the various forms of entertainment culture of scholars.The writing mode of word poetry from“classic”to“game”also triggered the debate on the elegance or vulgarity of the style of word poetry,which contains rich poetic and cultural charm.

关 键 词：集字诗 苏轼 清代 文人游戏 

分 类 号：I206.2[文学—中国文学]