元青花水波纹构图来源及其流行原因初探  

Exploring the Origin and Popularity Reasons of the Water Wave Pattern in Yuan Dynasty Blue-and-White Porcelain

作　　者：万晓惠 WAN Xiao-hui(Ceramic Research Institute of Light Industry of China,Jingdezhen 333000,China)

机构地区：[1]中国轻工业陶瓷研究所,景德镇333000

出　　处：《中国陶瓷》2024年第10期123-129,共7页China Ceramics

摘　　要：通过对传世馆藏和考古发掘出土带有水波纹装饰元青花瓷资料的收集和整理,可知元青花瓷上水波纹样式多达三类五种。然后,运用图像学研究方法和对比研究法,将上述水波纹与其他中国工艺美术品上同类纹饰进行比较,以此揭示出各类水波纹构图来源多样性,尤以南宋马远所绘《水图》影响最大。然后,结合文献资料,论证了元青花瓷上典型水波纹流行背后原因可能与1330年中期至1352年之间文人画复古之风兴起有关。Through the collection and organization of materials on Yuan blue-and-white porcelain featuring water wave patterns decorations unearthed from museum collections and archaeological excavations,it is found that there are three categories and five types of water wave patterns on Yuan blue and white porcelain.Then,by employing iconographic research methods and comparative research methods,this paper compares the aforementioned water wave patterns with similar patterns in other Chinese arts and crafts,revealing the diversity in the sources of these patterns.Notably,the influence of Ma Yuan’s painting“Water Studies”from the Southern Song Dynasty is the most significant.Then,based on literature,it is argued that the reason behind the popularity of the typical water wave patterns on Yuan blue-and-white porcelain may be related to the retro style of literati painting that emerged between the mid-1930s and 1352.

关 键 词：元青花 水波纹 版画 吉州窑 水图 

分 类 号：J506[艺术—艺术设计]