平衡之道:互动电影的认知模式研究  

The Way of Balance: An Analysis of Interactive Movies from the Perspective of Cognitive Psychology

作　　者：阎瑾 YAN Jin

机构地区：[1]兰州大学新闻与传播学院

出　　处：《电影理论研究（中英文）》2024年第3期29-40,共12页Journal of Film Studies

摘　　要：20世纪90年代,融合了摄影、录像、视频、声音、互动、装置等综合手段的“多媒介艺术”就已诞生,在现代技术的飞速发展中,融合“影”与“游”的互动电影进入了大众视野。这类媒介在视听与叙事层面实现了沉浸性与游戏性的平衡发展,以丰富的技术手段和艺术表达令传统叙事艺术迸发无限潜能,满足了观众的观影预期以及创新期待,也为未来的媒介融合提供了创作思路。In the 1990s, the “multi-media art”, which integrates photography, video, sound, was born. With the rapid development of modern technology, the interactive movie combined “film” and “game” has come out. This kind of media achieves a balance between immersion and gameplay at many levels, releasing infinite potential of traditional narrative art with the assistance of technology and artistic expression, satisfying the audience's expectations, also provide lessons for the present, guidance for the future.

关 键 词：互动电影 观众认知 媒介融合 

分 类 号：J905[艺术—电影电视艺术]