战争与流亡:巴勒斯坦的离散电影创作分析  

War and Exile: A Study of Diasporic Filmmaking in Palestinian

作　　者：余克东 YU Kedong

机构地区：[1]赣南师范大学新闻与传播学院

出　　处：《电影理论研究（中英文）》2024年第3期94-104,共11页Journal of Film Studies

摘　　要：由于长期的战争影响,巴勒斯坦地区是当今阿拉伯世界产生难民、移民与流亡者最多的区域之一。根植于此,伊利亚·苏雷曼、拉希德·马萨拉威等饮誉世界的巴勒斯坦导演创作出了大量以家园、边界、身份为景观的离散电影,在个人化、创伤化和暴力化的叙事中完成对后殖民主义的批判与和平的呼吁,呈现出一种凄婉、无奈、愤恨的流亡电影美学特征。新一轮巴以冲突语境下,对巴勒斯坦离散电影的再关注与再研究就显得非常具有学术价值。Due to the long-term effects of war, the Palestinian region is one of the areas in the contemporary Arabian world that produces the most refugees, immigrants, and exiles. Rooted in this, renowned Palestinian directors such as Elia Suleiman and Rashid Masharawi have created a large number of diasporic films with homeland, borders, and identity as their Artistic Characteristics. Through personalized, traumatic, and violent narratives, they complete a critique of postcolonialism and a call for peace, presenting a poignant, helpless, and indignant aesthetic of exile cinema. In the context of the new round of Israeli-Palestinian conflicts, re-examining and re-studying Palestinian diasporic films are of great academic value.

关 键 词：离散电影 流亡电影 巴以冲突 阿拉伯文化 

分 类 号：J904[艺术—电影电视艺术]