嘉业堂刻本《危太朴集》编刊考  

The Compilation and Publication Examination of Jia Ye Tang's Engraved Edition of Wei Taipu Ji

作　　者：杨宇洁 YANG Yujie(Chinese Classics Research Institute,Fudan University)

机构地区：[1]复旦大学古籍整理研究所

出　　处：《印刷文化（中英文）》2024年第3期121-139,共19页Print Culture

摘　　要：刘承幹嘉业堂刻本《危太朴集》虽刊印于民国初年,但其编刊工作可以追溯至光绪、宣统间缪荃孙搜集抄校危素诗文集,缪荃孙的校勘成果大抵为嘉业堂刻本所继承,且嘉业堂刻本跋语亦当是缪荃孙代笔。《危太朴集》又有作为试印本的朱印本传世,覆按朱印本可知《危太朴集》的刊刻经历了两次改版重印,除发现大量危素文未辑,故加刻《危太朴续集》十卷以外,尚有诗集部分因编刊疏漏而不得不局部换版重刊的情形。故而《危太朴集》的编刊也存在疏漏甚多、换版频繁的弊病。重理嘉业堂刻本《危太朴集》编刊始末,不仅可以明确该本的校勘价值,亦可为刘承幹、缪荃孙二人的合作恩怨提供鲜明案例。The Jia Ye Tang(嘉业堂)edition of Wei Taipu Ji(《危太朴集》)was printed by Liu Chenggan during the early Republic of China period.Its compilation began around the transition from the Guangxu era to the Xuantong era when Miao Quansun collected and proofread Wei Su's poems and prose.The Jia Ye Tang edition essentially encompasses all of Miao's corrections,with the postscript also believed to be authored by Miao.Additionally,a red-printed edition of Wei Taipu Ji,serving as a trial edition,has survived to this day.An examination of this red-printed edition reveals that Wei Taipu Ji underwent two rounds of revision and reprinting.One purpose was to incorporate Wei Su's later-discovered writings in a 10-volume sequel,while another significant reason for the reprinting was to rectify errors by replacing some of the engraved printing blocks.This highlights that the compilation of Wei Taipu Ji was marred by mistakes,leading to repeated reprints.This study of the compilation process of the Jia Ye Tang edition of Wei Taipu Ji elucidates the value of the compilation work and provides a vivid portrayal of the interactions between Liu Chenggan and Miao Quansun.

关 键 词：《危太朴集》 危素 嘉业堂 刘承幹 缪荃孙 

分 类 号：I206.2[文学—中国文学]