论古籍影印理念的发展与演变  

The Evolution of Photoprinting in Preserving Ancient Book

作　　者：南江涛 NAN Jiangtao(School of Literature,Capital Normal University)

机构地区：[1]首都师范大学文学院

出　　处：《印刷文化（中英文）》2024年第3期152-164,174,共14页Print Culture

基　　金：国家社科基金重大项目“新中国古籍整理出版事业史研究”(项目编号:23ZD&217)阶段性成果。

摘　　要：影印作为一种图书出版印刷方式,传入我国一百多年来,在古籍整理出版领域一直扮演着重要角色。中国古籍的出版,除了内容的延续,还特别注重形制上的承袭。正因如此,影印以其缩放自如、神形毕肖的独特优势,最大程度地解决了“原本”与“翻本”背离问题,与中国古籍碰撞出了激烈的火花,长期占据着古籍整理出版的大半壁江山。然而,由于相关研究的严重缺位,影印又常常被人冠以简单粗暴的出版方式,这主要是人们对古籍影印理念的缘起、操作方法和变化发展脉络含糊其词。通过梳理古籍影印的源流、发展变化和理念脉络,我们能够清晰看到,在数字化古籍时代,影印作为一种具有百余年历史的古籍整理出版方法,依然有存在的空间和价值。Photoprinting,an essential technique in publishing ancient books,has played a pivotal role in preserving original content and form since its introduction to China over a century ago.It has been widely employed to reproduce over half of ancient Chinese books due to its ability to faithfully capture and present the original format while allowing for convenient zooming.Despite its significance,a lack of comprehensive research has led to inadequate understanding of the origins,practices,and evolution of photoprinting,resulting in its occasional dismissal as a rudimentary printing method.This paper delves into the historical development of photoprinting,highlighting its enduring relevance as a valuable printing technique for the preservation of ancient books in today's digital era.

关 键 词：影印 中国古籍 制版材料 理念 

分 类 号：G255.1[文化科学—图书馆学]