窥探图像对西方遗产保护的影响——以建筑图纸和风景画为例  

The Influence of Images on Western Heritage Conservation--From Architectural Drawings and Landscape Paintings

作　　者：李东遥 吴葱[1] Li Dongyao;Wu Cong

机构地区：[1]天津大学建筑学院

出　　处：《古建园林技术》2024年第5期88-92,共5页Traditional Chinese Architecture and Gardens

基　　金：国家自然科学基金面上项目“西方‘权威化遗产话语’下中国传统保护思想观念的挖掘与研究”(51378334)。

摘　　要：梳理了与遗产相关的西方建筑图像的发展过程,包括建筑理论著作插图、建筑测绘图、建筑图谱等建筑图纸与建筑风景画两种图像形式。认为它们分别代表了西方建筑师与画家的不同建筑观:建筑图纸是对建筑的科学性表达和记录,由古典建筑逐步推广至各种建筑风格,追求建筑的完整、风格统一和理想图式;风景画相对忠实地描绘建筑的真实情况,从哥特建筑废墟至其他地域建筑,追求建筑的真实性与多样性。之后以西方十九世纪建筑遗产保护的代表人物和案例为线索,证实了上述两种倾向分别推动并塑造了“修复”(Restoration)和“保存”(Conservation)两大遗产保护理念的形成。从图像角度对西方遗产保护理念发展追根溯源,以期对当今中国建筑遗产保护有所借鉴。This paper makes out the development process of western architectural images related to cultural heritage,including architectural drawings,which consist of architectural book illustrations,measured drawings and pattern books,and architectural landscape paintings.They represent two tendencies of architectural art from architects and painters,that the architectural drawings are scientific expression and documentation of architecture and pursue the order and uniform style and ideal schema of architecture,while architectural landscape paintings are relatively faithful depiction of what the building really looks like and pursue the authenticity and diversity of architecture.Afterwards following the representative figures and cases of the western architectural heritage protection in the 19th century,it is confirmed that the two tendencies respectively shaped and promoted the formation of the two protection concepts of"Restoration"and"Conservation".This paper traces the development of western heritage protection concepts from the perspective of images,in order to provide some references for the protection of architectural heritage in China today.

关 键 词：建筑图像 遗产保护 风格 风景如画 建筑图谱 

分 类 号：TU-87[艺术—艺术设计]