从“清夏斋”到“清夏堂”——圆明园工字殿装修与室内格局的转变  

From Qingxia Zhai to Qingxia Hall:Study on the Reshaping of Architectural Trim-work and Interior Style of Yuanming Yuan H-shaped Hall

作　　者：王欢 刘昕 Wang Huan;Liu Xin

机构地区：[1]首都师范大学美术学院

出　　处：《古建园林技术》2024年第5期93-98,共6页Traditional Chinese Architecture and Gardens

基　　金：北京市社科基金青年项目(23YTC044);北京市教育委员会社会科学基金一般项目(SM202210028010)。

摘　　要：清夏斋是嘉庆时期圆明园绮春园重要的建筑之一。国家图书馆藏样式雷图档保留了其道光时期工字殿清夏斋和同治时期前后殿清夏堂的建筑图样、装修图样和略节等营造史档,支持对建筑形制和室内格局的探讨。本文通过综合解读相关营造史档,梳理前后两时期建筑和装修的特征及相关工程,依据清代匠作则例解读装修布局及室内空间格局,探讨两时期装修构建的空间特征及其背后的原因。Qingxia Zhai is a focused summer-landscape building in the Tranquility and Pleasure of Yuanming Yuan from the Jiaqing Dynasty.The existing Yang-shi-lei Drawing Files stored in the National Library,finding its architecture and architectural trim-work,present an H-shaped hall in the Daoguang Dynasty and I-shaped hall in the Tongzhi Dynasty,supports the architecture and interior reduction accordingly.This paper summarizes the characteristics of architecture and architectural trim-works in two periods by interpreting the relevant constructive documents and drawings.Followed by a interpretation of space’s layout and pattern based on Handicraft Regulation of Qing Dynasty(Zeli),giving a discussion on the architectural trim-work regulation and spatial pattern.Specifically,this paper aims to discuss the features of interior pattern and the reasons behind.

关 键 词：装修设计 清夏斋(堂) 圆明园 样式雷图档 格局 

分 类 号：TU-092[建筑科学—建筑理论]