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作 者:刘正国[1] Liu Zhengguo
出 处:《南京艺术学院学报(音乐与表演版)》2024年第5期1-10,I0002,共11页JOURNAL OF NANJING UNIVERSITY OF THE ARTS:Music & Performance
基 金:国家社科基金重大招标项目“中国古管乐器文献、图像及文物资料集成与研究”(项目编号:17ZDA245)阶段性成果。
摘 要:2023年6—9月间,在湖北襄阳王寨墓地的第三次考古发掘中,惊现一种画面为“一人弹琴、一人听声”的南朝墓室画像砖,其内容疑似千古流传的伯牙与子期的知音故事,考古者遂将其命名为“高山流水”,并付诸多种媒体的报道。本文通过对该画像砖出土的实物和图像的辨识,揭示其画面的真实主题应是发生在5000年前黄帝时期的“伶伦作律”重大乐律事象。这一题材画像砖的惊世现身,拂去了2000多年来一直笼罩在“伶伦作律”文本载说上的神话迷雾,毋容置疑地破解了伶伦“听凤凰之鸣,以别十二律”其实就是“依琴定律”的千古之谜;其于中华乐律五千年文明的实证,堪称意义重大。During the third archaeological excavation of Wangzhai Cemetery in Xiangyang,Hubei Province from June to September 2023,a Southern Dynasty portrait brick with the scene of"one person playing the qin and one person listening to the sound"was discovered.Its content is suspected to be the ancient story of Boya and Ziqi's kindred spirit.Archaeologists named it"High Mountains and Flowing Water"and reported it in various media.Based on the physical examination of the unearthed brick portrait and the subtle analysis of the visual images,combined with the author's relevant research 20 years ago,the real theme of the painting should be the significant event of musical temperament of"Ling Lun Zuo Lu"that occurred during the Huang Di period 5000 years ago.The shocking appearance of this subject matter portrait brick completely dispelled the mythological fog that had been shrouded in the text of"Ling Lun Zuo Lu"for more than two thousand years,and undoubtedly solved the eternal mystery that Ling Lun's"listening to the sound of the phoenix to distinguish the twelve temperaments"was actually the"Yi Qin Ding Lu".Its empirical significance in the 5000 year civilization of Chinese music is significant.
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