“商声”说  

The“Shang Tone”Theory

作　　者：杜亚雄[1] Du Yaxiong

机构地区：[1]中国音乐学院,北京100101

出　　处：《南京艺术学院学报（音乐与表演版）》2024年第5期11-13,I0002,共4页JOURNAL OF NANJING UNIVERSITY OF THE ARTS:Music & Performance

摘　　要：“商”是我国乐理中的五正声之一,《礼记·乐记·师乙》篇载“故商者,五帝之遗声也,商人识之,故谓之商”,商人已认识到“商声”在五正声中“居中”的事实,便采用本民族的族名命名了此声。本文通过三分损益法、五度相生律和纯律对“商声居中”的音乐形态进行了论证,讨论了“商声居中”的现象,探讨了“商声”以及“商调式”在旋宫犯调以及作曲实践中的应用。"Shang"is one of the five principal pentatonic tones in Chinese music theory.In the Li Ji,Yue Ji,and Shi Yi,it is said:“therefore,Shang refers to the legacy of Wu Di,the Shang people recognize it,and thus called Shang.”The Shang people had recognized the fact that the"Shang tone"was"in the middle"among the five principal pentatonic tones,so they named this tone after their own ethnic group.This essay demonstrates the musical pattern of"Shang tone in the center"through the three-part loss and gain method,the Pythagorean intonation,and the just intonation,discusses the phenomenon of"Shang tone in the center",and explores the application of"Shang tone"and"Shang mode"in the practice of xuan gong fan diao and composition.

关 键 词：商声 居中 商调式 

分 类 号：J605[艺术—音乐] J607