秩序知觉理论下的当代舞剧视觉焦点探论  

Exploring the Visual Focus of Contemporary Dance Drama under the Theory of Order Perception

作　　者：莫嘉琦 Mo Jiaqi

机构地区：[1]南京艺术学院舞蹈学院,江苏南京210013

出　　处：《南京艺术学院学报（音乐与表演版）》2024年第5期190-194,I0003,共6页JOURNAL OF NANJING UNIVERSITY OF THE ARTS:Music & Performance

基　　金：2022年度文化和旅游部文化艺术研究项目“中国当代舞剧的跨媒介研究:创作、表达、接受”(项目编号:2022DE012)的阶段性成果。

摘　　要：艺术创作与审美活动离不开艺术家对规则与秩序建立的探求。预先匹配机制是舞蹈艺术创作建立秩序的重要手段,它揭示了主体在舞蹈审美活动中对视觉焦点选择的内在规律,帮助创作者透过秩序知觉原则筑造符合观者审美心理规律的舞蹈图像。从时空力的拆解与重构、情境配景的虚化与概括、舞台视觉的中断与反差效应等现象剖析舞蹈视觉式样,有助于为当代舞剧视觉焦点的建构提供更丰富的艺术表现方式。Artistic creation and aesthetic activities cannot be separated from the artist's exploration of establishing rules and order.The pre-matching mechanism is an important means of establishing order in dance art creation.It reveals the inherent laws of visual focus selection by the subject in dance aesthetic activities,and helps creators construct dance images that conform to the aesthetic psychological laws of the viewer through the principle of order perception.Explaining the visual styles of dance through the dismantling and reconstruction of temporal and spatial forces,the virtualization and generalization of situational settings,and the interruption and contrast effects of stage vision can provide richer artistic expressions for the construction of the visual focus of contemporary dance dramas.

关 键 词：秩序感 当代舞剧 预先匹配 视觉焦点 

分 类 号：J70[艺术—舞蹈] J701