“寂寞说”辨析:从战争时间再论萧红后期的创作心态  

Analysis of"Loneliness Theory":Rediscussing Xiao Hong's Later Creative Mentality from the War Time

作　　者：刘聿秋 LIU Yuqiu(College of Literature,Hebei University,Baoding,Hebei 071000,China)

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《西安石油大学学报（社会科学版）》2024年第5期122-128,共7页Journal of Xi’an Shiyou University:Social Science Edition

摘　　要：“寂寞”是茅盾对萧红后期作出的总结性判断,也成为萧红研究中影响深远的既定视域。伴随批评话语的时代性转换,“寂寞说”也面临着质疑与重构,这一现象背后反衬出社会时间与个体时间此起彼伏的变化态势。借由维克多·特纳的阈限理论分析可知,“寂寞”实是1940年代抗日战争在时间感知与思想情感层面的集中反馈,而萧红在后期创作中忠实地记录了这种时代情绪,并有效地节制一己之悲,在写作中逐渐磨砺出“知寂寞而反抗之”的坚强精神。"Loneliness"is a summative judgment made by MAO Dun to Xiao Hong's later period,and it has also become a far-reaching and established perspective in Xiao Hong's research.With the times transformation of critical discourse,"loneliness theory"is also faced with questioning and reconstruction,which reflects the changing trend of social time and individual time.Based on the analysis of Victor Turner's threshold theory,it can be seen that"loneliness"is actually the concentrated feedback of the Anti-Japanese War in the 1940s in terms of time perception and thought and emotion.Xiao Hong faithfully recorded the mood of this era in her later works,and effectively restrained her own grief,gradually sharpen the strong spirit of"knowing loneliness and resisting it"in her writing.

关 键 词：萧红 “寂寞说” 战争时间 创作心态 

分 类 号：I206.7[文学—中国文学]