方言实验与地方想象的空间建构——以“新南方写作”为中心  

Dialect Experimentation,Local Imagination and Spatial Construction:On"New Southern Writing"

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作  者:杨莹 Yang Ying

机构地区:[1]西北师范大学文学院

出  处:《上海文化》2024年第10期56-64,共9页Shanghai Culture

摘  要:“新南方写作”的提出使人们在更为广阔的南方视野中发现了一直以来被强大的江南文学所遮蔽的华南、岭南、西南甚至东南亚等地的文学创作。作家们通过方言写作从地方文化内部出发对“南方以南”的风貌、伦理、习俗等进行深描,他们对方言的创新使用也从小说形式的更新上对世界文学做出了回应。巫文化是“新南方写作”的重要民间性表征,它集中展现了“新南方”地区人们的生活经验,以及他们在面对现代化进程时的矛盾心理。大海的广袤无垠和地方风土携带的“诗性智慧”赋予了“新南方”作家浪漫奇瑰的想象力,作家们借助诗意的想象探询存在和未来,彰显了他们的人文主义情怀。The proposal of"New Southern Writing"has enabled people to discover,in a broader vision of the South,the literary creations of South China,Lingnan,Southwest China and even Southeast Asia which have been hidden by the powerful literature of Jiangnan.These writings in dialect depict the landscape,ethics,and customs of the"South of the South"from within the local culture,which also responds to world literature in terms of updating the form of novels.Witch culture is an important folkloric symbol of New South Writing,focusing on the life experiences in the"New South"and the ambivalence in the face of modernization.With the vastness of the sea and the"poetic wisdom"of local customs,the writers of the"New South"exhibit a romantic and strange imagination,and inquire into the existence and the future,which also manifests their humanistic feelings.

关 键 词:新南方写作 方言写作 巫文化 想象力诗学 

分 类 号:I207.42[文学—中国文学]

 

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