试析红山文化晚期大凌河流域的区域文化整合进程——基于彩陶筒形器再分期  

An Analysis of the Process of Regional Cultural Integration in the Daling River Basin during the Late Hongshan Culture

作　　者：曲宇蒙 Qu Yumen

机构地区：[1]中国人民大学历史学院,北京100872

出　　处：《中原文物》2024年第5期31-37,共7页Cultural Relics of Central China

基　　金：中国人民大学科学研究基金(23XNH087)的支持。

摘　　要：本文基于牛河梁遗址的几组层位关系作为红山文化晚期遗存再分期的主干材料,以彩陶筒形器器型主导的类型学分期为基础,综合分析了红山文化晚期彩陶纹饰的特征和组合,从更精细的时间和空间尺度上阐释了红山文化晚期大凌河流域文化发展进程。以牛河梁遗址为中心的大凌河流域的文化一体化进程开始于红山文化晚期早段,以积石建筑配合筒形器为代表的文化传统在牛河梁地区较早创立,但此时对周边地区影响甚微。晚期中段以后,在周边地区小范围传播,最后在晚期晚段才扩展到整个大凌河流域。该结论为理解红山文化晚期以牛河梁为中心的大凌河流域区域文化整合、文明演进的发生提供了依据。This study utilizes several stratigraphic sequences from Niuheliang as primary evidence to re-establish the chronology of the late Hongshan period,focusing on the typological analysis of painted ceramic cylinders.It offers a comprehensive examination of the characteristics and combinations of ceramic decorations within Hongshan culture,shedding light on the cultural development of the Daling River basin during this period on a more refined temporal and spatial scale.The research suggests that the process of cultural integration in the Daling River basin,centered around Niuheliang,began in the early phase of the Late Hongshan period.At that time,the cultural tradition characterized by stone platform architecture and ceramic cylinders was initially established in the Niuheliang region,although its influence on surrounding areas was limited.It was not until the middle phase of the Late Hongshan period that this tradition began to spread to nearby regions,ultimately expanding throughout the entire Daling River basin by the late phase of the Late Hongshan period.These findings provide valuable insights into the processes of regional cultural integration and the emergence of civilization in the Daling River basin,with Niuheliang serving as a central hub during the Late Hongshan period.

关 键 词：红山文化晚期 筒形器 彩陶纹饰 大凌河 文化整合 

分 类 号：K876.3[历史地理—考古学及博物馆学]