再论新砦期遗存中的东方文化因素——从玉器形制、艺术传统、宗教信仰谈起  

Re-examining the Eastern Cultural Elements in Xinzhai Period Remains

作　　者：赵江运 Zhao Jiangyun

机构地区：[1]河南大学历史文化学院,河南开封475001 [2]河南大学黄河文明与可持续发展研究中心,河南开封475001

出　　处：《中原文物》2024年第5期38-45,共8页Cultural Relics of Central China

基　　金：教育部人文社会科学重点研究基地重大项目“黄河流域中原地区的文明起源、形成与早期发展研究”(项目批准号:22JJD780006)的资助。

摘　　要：新砦期遗存中包含大量的东方文化因素,既表现在陶器、玉器形制方面,也体现在艺术传统、宗教信仰方面。新砦期遗存中发现的牙璋、玉琮、玉钺等礼器,以玉器等祭祀天地山川形胜的宗教模式均带有东方文化传统。在龙山末期严峻的自然环境与社会政治格局亟待重组的双重作用下,新砦上层集团从东方引入这些因素,旨在增强人们的凝聚力,同时也攫取宗教、政治权力和树立道德威信。由此,新砦期遗存表现出浓厚的东方文化气质与底质。The remains from the Xinzhai Period exhibit numerous Eastern cultural influences,which are evident not only in the forms of pottery and jade artifacts but also in artistic traditions and religious beliefs.Ritual objects such as the yazhang,jade cong,jade yue,and the religious practice of offering jade vessels to Heaven,Earth,Mountains,and Rivers,found in the Xinzhai Period remains,all reflect Eastern cultural traditions.Toward the end of the Longshan period,facing a harsh natural environment and the need to restructure the socio-political order,the Xinzhai Group integrated these Eastern elements to enhance social cohesion,consolidate religious and political power,and establish moral authority.Thus,the upper levels of Xinzhai Period,in terms of political and spiritual life,display a strong Eastern cultural character and foundation.

关 键 词：新砦期遗存 东方文化因素 玉器形制 艺术传统 宗教信仰 

分 类 号：K878[历史地理—考古学及博物馆学] B929[历史地理—历史学]