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作 者:李今鹏[1] LI Jin-peng(Tianjin Conservatory of Music,Hedong Tianjin 300171)
机构地区:[1]天津音乐学院,天津河东300171
出 处:《吉林艺术学院学报》2024年第4期64-70,共7页Journal of Jilin University of Arts
摘 要:长号演奏方面的技术有多种形式,如吐音方面的演奏技术有双吐音、三吐音,装饰音方面的回旋音、“tr”等。一方面,这些演奏技术都是为了表达作品风格、特点而运用的演奏技法。另一方面,长号演奏通过对声音色彩的控制来展示音乐形象,个性化演奏处理对表达音乐作品情感内涵的意境起到了至关重要的作用。在实际演奏《浪漫曲》《叙事曲》《幻想曲》等标题音乐作品时,也可开拓和丰富想象力,从思维、情感、奏法等演奏方面的技术处理,来达到更加完善的音乐表达效果。演奏家的二度演奏创作更为贴切地将作曲家所要表述的故事情节进一步升华。Trombone performance involves various techniques such as double tonguing,triple tonguing,ornamentation,and trill.These techniques are essential not only for expressing the style and characteristics of musical works but also for conveying the emotional connotations and atmosphere of the music.Trombone performance also relies on tone control to present musical imagery,with personalized performance processing playing a crucial role in expressing the emotional content of musical compositions.In the performance of programmatic works like"Romance,""Ballade,"and"Fantasia,"musicians can expand their imagination and enrich their interpretations through technical handling of sound,emotion,and playing techniques,thus achieving a more refined musical expression.The secondary creation of the performer further elevates the narrative intended by the composer.
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